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The Illusionist (2010)

(บรรยายไม่จำเป็น)

 

 

(!!พิเศษสำหรับช่วงนี้ เมื่อสั่ง

The Illusionist (2010)

แถมฟรี CD เพลงประกอบภาพยนตร์

MUSIC FROM THE MOTION PICTURE

The Illusionist
ORIGINAL MUSIC BY
SYLVAIN CHOMET

AND THE BRITOONS

 

จำนวน 1 ชุด

ตั้งแต่วันนี้ถึง 15 มิถุนายน พิเศษ!!)

+

 

ผู้กำกับคนเก่งทำเพลงประกอบด้วยตัวเองเลยครับ

 

 

 

 

 

คลิกดูรีวิว ผลงานของ Jacques Tati ได้ที่

 

Mon oncle (1958) (บรรยายไทย)

กำกับ: Jacques Tati กับบทคุณน้าจอมเฟอะที่ผู้กำกับแสดงเอง ทำให้หนังตลกเสียดสีที่มีสไตล์เรื่องนี้ คว้ารางวัลออสการ์ในสาขาหนังต่างประทศยอดเยี่ยมมาครองในปี 1959 และยังเป็นหนังสีเรื่องแรกของผู้กำกับอีกด้วย ซึ่งโดดเด่นด้วยงานด้านภาพใช้สี

 


 


ภาพตัวอย่าง:


รางวัล:

Academy Awards, USA
Year Result Award Category/Recipient(s)
2011 Nominated Oscar Best Animated Feature Film of the Year
Sylvain Chomet
 
Annie Awards
Year Result Award Category/Recipient(s)
2011 Nominated Annie Best Animated Feature
(Django Films Illusionist).
 
British Independent Film Awards
Year Result Award Category/Recipient(s)
2010 Nominated British Independent Film Award Best Technical Achievement
Sylvain Chomet
For animation.
 
Chicago Film Critics Association Awards
Year Result Award Category/Recipient(s)
2010 Nominated CFCA Award Best Animated Feature
 
European Film Awards
Year Result Award Category/Recipient(s)
2010 Won European Film Award Best Animated Film
 
Golden Globes, USA
Year Result Award Category/Recipient(s)
2011 Nominated Golden Globe Best Animated Film
 
Las Vegas Film Critics Society Awards
Year Result Award Category/Recipient(s)
2010 Nominated Sierra Award Best Animated Film
 
National Board of Review, USA
Year Result Award Category/Recipient(s)
2010 Won Spotlight Award Sylvain Chomet
Jacques Tati
 
Online Film Critics Society Awards
Year Result Award Category/Recipient(s)
2011 Nominated OFCS Award Best Animated Feature
 
San Diego Film Critics Society Awards
Year Result Award Category/Recipient(s)
2010 Nominated SDFCS Award Best Animated Film
 
Satellite Awards
Year Result Award Category/Recipient(s)
2010 Nominated Satellite Award Best Motion Picture, Animated or Mixed Media
 

Plot:


Of all the movies in the world, this is the one you do not need subtitles to understand.
This world is a comedy to those that think, a tragedy to those that feel.


A French illusionist finds himself out of work and travels to Scotland, where he meets a young woman. Their ensuing adventure changes both their lives forever.


Details the story of a dying breed of stage entertainer whose thunder is being stolen by emerging rock stars. Forced to accept increasingly obscure assignments in fringe theaters, garden parties and bars, he meets a young fan who changes his life forever.

Since the post-WWII wave of neo-realism, filmmakers worldwide have been exploring the beauty within the recesses of the urban landscape. The Italians had their ''any space whatever'' amidst the post-war rubble; the French New Wave caressed Paris; Woody penned his love letter to Manhattan, Spike wrote his to Brooklyn; Jean-Pierre Jeunet did Montmartre; Wim Wenders did Lisbon; Wong Kar Wai did Hong Kong; Werner Herzog did Antarctica; John Hughes did Chicago; and now with ''L''illsionniste'' Sylvain Chomet has Edinburgh – a city ripe for exploration and the director''s home for the past five years. The film is, indeed, bestowed with loving detail upon Scotland''s capitol. Sadly, the narrative providing the means for discovering its twists and turns imparts a final impression of cold disillusionment that starkly contrasts with the city that I''ve come to know in the last two years.

Reworking a script by Jacques Tati, Chomet tells the story of an ageing slight-of-hand magician -- near enough in both appearance and manner to be M. Hulot himself -- who takes his outdated stage act from Paris to the UK. An invitation to perform in the Hebrides isles brings him to Scotland where his magic and kindness inspires a naïve young maiden to tag-along with him and the two find themselves in Edinburgh. The remainder of the film is a coming-of-age story for both characters -- a slowly paced, melancholy journey of economic hardship and broken enchantments. The two take up residence in an aged hotel near Broughton Place, where a number of other outdated performers also reside: the clown upstairs is suicidal, the ventriloquist is penniless, the acrobat triplets paint billboards, and the magician himself finds work in a Jenners'' display window pulling women''s underwear out of thin air. The city, according to Chomet, has broken the magic and mystery of life, leaving the viewer with a sense of doomed mortality. One of the final images is that of the girl and a boyfriend, sheltered under a white coat in the pouring rain, struggling against a tide of black umbrellas, dissolving to a 3D animated travelling shot above the city. With this budding first-romance, what could have been a concluding note of hope instead seems destined for misery.

Of course, glimpses of brilliance can be found: the animated medium befits the Tati character and Edinburgh itself, and Chomet''s restrained style teases out joy from the ordinary moments of everyday life. You even feel grateful for the opportunity to smile. Unfortunately what is missing in the film is the very thing I love most about the city: the contact and connections with its people. Edinburgh is a city of extraordinary people and culture. Just ask Robert Burns. It seems then, that though Chomet''s heartfelt intention was to show off the city he calls home, he failed to recognise its most remarkable asset. It''s the people that give life to Edinburgh and without this city of endless stone does indeed seem cold. Had Chomet focused more on the characters'' interactions with the residents as opposed to themselves, I think the film would have better communicated a stirring sense of hope and quiet pride that would have left the viewer with a greater desire for and appreciation of the city of Edinburgh.


 

 

 

 


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ภาพยนตร์เรื่องนี้อยู่ในประเภท: Animation: FeelGood: SilentFilms: originEurope: recommend



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